
It was clear that The Big Moon have embraced a different musical direction from their 2017 debut. A grungy indie record with sonic influences from the likes of The Strokes and Yeah Yeah Yeahs, Love In The 4th Dimension was a solid punk-pop album which rightfully earned the band a place among indie’s rising stars. Their new effort seems to focus less heavily on pounding guitars and drums and instead leans towards a more electronic and sometimes piano-driven influence, leading to a more polished sound.
The band’s set at Movida was characterised by their solid harmonies and quirky lyrics; a highlight was Dog Eat Dog, in which frontwoman Juliette Jackson mournfully intones ‘Round here they say it’s dog eat dog but / It’s more like pigeon eating fried chicken on the street.’ Barcelona, another standout track, unexpectedly opened with an impromptu acoustic guitar and flute duet. What I can only describe as a melancholic sea shanty with attitude, Waves, was perhaps my favourite song of the evening.
It was overall a slightly more casual and subdued performance than I would have expected, given the typically high-energy nature of their music. However, their new musical direction reflects their adaptability and uniqueness, which is particularly needed in a male-dominated genre that is sometimes lacking in fresh, original material.
The Big Moons’ new album, Walking Like We Do, is currently available at Sound Knowledge.









